Hit Parade
Christof Migone
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Series of short sets by Acid Mothers Temple / Ruins offshoots Zubi Zuva X, Akaten & Zoffy.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.