V∞redoms
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Ex-Decaer Pinga and CKDH rodeo queens; regular ladynoise hoedown gets gatecrashed by sonic chunder-huffing remedial clatter boys.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.