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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A close up, black & white portrait of John Tilbury, in a large fedora hat
19 April 2013
Tramway

John Tilbury

John Tilbury

What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.

Episode 4: Freedom is a Constant Struggle
Inter title from the film Haxan
18 October 2003
DCA

Haxan: Witchcraft Through the Ages

Mirror Phantom Engineer

Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.

Kill Your Timid Notion 03
A performer with a small parrot on his finger, props on the floor
18 April 2015
Tramway

No Ready Made Men – Open Rehearsal

Ueinzz

Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.

Episode 7: We Can’t Live Without Our Lives
arika-episode-9-hi-613
19 November 2017
Tramway

Improvisation, Make-up and Lip-sync

boychild

Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.

Episode 9: Other Worlds Already Exist
Fernando stands facing boychild who holds grasps elbow with opposite hand
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
13 October 2005
The Universal

Stalled at Universal – Usurper

Usurper

Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.

INSTAL 05
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
Black serif font reads Kill Your Timid Notion on a mottled white background
17 – 19 February 2006
DCA

Kill Your Timid Notion 06

A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.

Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
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