Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”
Dub is strange. A conversation with Edward George and Dhanveer Brar.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
Ellis’s processional, precessional cessation and continuation of movement and music comes to us via his forthcoming release Aster of Ceremonies (Milkweed Editions, 2023)
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Each organ is unique. The project is to find out what makes it unique.