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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
A film still image is distorted, turning the image of a couple into liquid
11 December 2004
DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04
Rhodri Davies and Terry Day performing at MLFC 07
13 May 2007
The Sage Gateshead

Rhodri Davies & Terry Day

Rhodri Davies Terry Day

Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.

Music Lover’s Field Companion 07
INSTAL 05 Publicity Flyer
14 – 16 October 2005
The Arches

INSTAL 05

A cast of pioneering spirits over an expanded three day festival including Jandek (one year on from his first ever show at INSTAL 04), JO-JO, Tetuzi Akiyama,Tom Bruno, Pauline Oliveros, a legendary Hijokaiden performance and Henri Chopin.

Emma Hart lit from the glare of a projector as she adjusts a camera
17 February 2006
DCA

Emma Hart & Benedict Drew

Benedict Drew Emma Hart

An original and beautifully simple performed installation forging a direct link between sound and image.

Kill Your Timid Notion 06
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
a large crowd wearing evening wear are sat at tables applauding
19 April 2014
Holiday Inn

Icon’s Lunch

Various Artists

This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.

Master Ballstar Weekend
Three folks sit around a table looking at Sonia Sanchez as she gesticulates
20 April 2013
Tramway

The Experiment: Pt. 1

Amiri Baraka Fred Moten Wadada Leo Smith Sonia Sanchez

What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?

Episode 4: Freedom is a Constant Struggle
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

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