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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the words: Music Electronica
9 December 2001
The Arches

Musica Electronica

Musica Electronica

A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.

INSTAL 01
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
Ikuro Takahashi & Yoko Muronoi standing by a wall
12 May 2007
The Sage Gateshead

Anoyonodekigoto

Ikuro Takahashi Yoko Muronoi

A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.

Music Lover’s Field Companion 07
Freedom Is a Constant Struggle Poster Graphic
17 – 21 April 2013
Tramway

Episode 4: Freedom is a Constant Struggle

Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?

Ayreen Anastas seated at a kitchen table in the evening
21 January 2012
CCA

Ayreen Anastas & Rene Gabri

Ayreen Anastas Rene Gabri

An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”

Episode 1: A Film is a Statement
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
A survey is a process of listening
2 – 6 May 2012
Whitney Museum of American Art

A survey is a process of listening

A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).

Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
arika_ep7_IMG_6094
19 April 2015
Tramway

No Ready Made Men – Performance

Ueinzz

A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.

Episode 7: We Can’t Live Without Our Lives
Two people with headphones listen to items in an installation at a large table
14 November 2010
Tramway

Temporary Outpost for an Auditory Gesture

Brandon LaBelle

Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.

INSTAL 10
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
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