Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
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African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Glasgow. Low-end drone guitarage army in praise of the open chord.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.