Musica Electronica
Musica Electronica
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
West Coast drone-age guitar grumbler/ consumer electronic reclaimer meets free-thinking clang/ chime/ drone bluesman of The East.
What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.
Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.