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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
Silhouette of man with wild hair
19 April 2015
Tramway

Cartography of Exhaustion

Peter Pál Pelbart

If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.

Episode 7: We Can’t Live Without Our Lives
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Image with the word: Rhomboi
9 December 2001
The Arches

Rhomboi

Rhomboi

Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.

INSTAL 01
Kazuo Imai and Astuhiro Ito on stage with guitar and light bulb
19 February 2006
DCA

Kazuo Imai & Atsuhiro Ito

Atsuhiro Ito Kazuo Imai

A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.

Kill Your Timid Notion 06
The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
Lee Patterson adds a spoon of powder to a large glass of water
15 February 2008
The Arches

Self Cancellation – Vessels

Lee Patterson

In this response to the Self Cancellation project, Lee Patterson dissolves medicine in glasses of water and explores the sonic content.

INSTAL 08
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
Fernando stands facing boychild who holds grasps elbow with opposite hand
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
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