Sachiko
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
During their time in Scotland for Instal 06 Dave Dove, Bhob Rainey and Greg Kelly did some improvisation workshops and performances in and around Glasgow.
Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.