
Exhibition: Gravitational Feel
Fred Moten Wu Tsang
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
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How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
This closing session will be a space for reflection and feedback. We can discuss ways we can share what we’ve learned and explored with our wider communities. We can talk about if we want to do more sessions and /or projects together.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
Dave will lead a session created for teenagers and designed to stimulate a supportive environment for artistic exploration through music improvisation.
A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?