
Wandelweiser
Antoine Beuger Manfred Werder Radu Malfatti
Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.
Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
The session – aimed specifically at white people – will be run by Tripod. We will explore and address whiteness, embodied responses to racial tension and somatic techniques to build resilience for practicing anti-racist action. It will be a space to learn and transform together and look at further anti-racist resources and work.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
An original and beautifully simple performed installation forging a direct link between sound and image.
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?