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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
Kazuo Imai playing an acoustic guitar on stage at MLFC 05
21 May 2005
The Sage Gateshead

Kazuo Imai

Kazuo Imai

One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.

Music Lover’s Field Companion 05
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
A circle of chairs in a room
24 February 2010

Investigation – Loïc Blairon & Marc Baron

Loïc Blairon Marc Baron

Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee

Kill Your Timid Notion 10
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
Loic Blairon Sits at a table
15 May 2010
Tramway

It Doesn’t Say What It Says

Loïc Blairon

Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…

UNINSTAL
18 June 2026

Collective Art Workshop

Scotland for Decrim

Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.

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