Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
The session – aimed specifically at white people – will be run by Tripod. We will explore and address whiteness, embodied responses to racial tension and somatic techniques to build resilience for practicing anti-racist action. It will be a space to learn and transform together and look at further anti-racist resources and work.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.
