Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.
Felix Hess is a unique crosser of the boundaries between science and art. He wrote his doctorial thesis on the aerodynamics of the boomerang
Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
