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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

Storyboard P blurred in movement surrounded by darkness
16 November 2017
Tramway

The Body is a Sanctuary That Floats

Storyboard P

A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.

Episode 9: Other Worlds Already Exist
13 October 2005
The Universal

Stalled at Universal – Usurper

Usurper

Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.

INSTAL 05
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Stones of Stenness on Orkney with microphones and musicians between them
20 June 2006
Ring of Brodgar

Stones of Stenness (Ring of Brodgar)

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing by the Stones of Stenness, instead of the Ring of Brodgar, because of bad weather.

Resonant Spaces
A medium shot black & white portrait of Sonia Sanchez, head leaning on hand
21 April 2013
Tramway

Sonia Sanchez

Sonia Sanchez

A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.

Episode 4: Freedom is a Constant Struggle
Projection of an orange rectangle along with shards of light
11 October 2008
DCA

Sound Cuts

Guy Sherwin

Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.

Kill Your Timid Notion 08
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Teresa Maria Diaz Nerio in a yellow jumpsuit dances whist a B&W film plays
20 April 2013
Tramway

Ni ‘mamita’ Ni ‘mulatita’

Teresa María Díaz Nerio

A performed film lecture exploring how the ‘Rumberas’ of Caribbean cinema of the 40’s and 50’s subverted demeaning images of themselves through dance, sound and a sociality that insisted on blackness as being a cultural performance, not simply due to skin colour.

Episode 4: Freedom is a Constant Struggle
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