Suspended closure, suspended
Jimmy Robert
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.