Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.