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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Miss Major waves regally from an open top car at a Pride parade, she is surrounded by other Pride marchers with banners and placards.
13 March 2022
Online

Chosen Kin: Making Our Loyalties

Mai’a Williams Miss Major Claricia Revlon

How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?

Mutual Aid
A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
text reading Decriminalised Futures on a colourful banner on a blue and purple background
31 August 2019 – 1 April 2023

Decriminalised Futures

Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.

An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
Amplifiers outside with mics on the floor coming from them
27 February 2010
DCA

Hit Parade

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
A chorus in white boiler suits stand behind a concrete frieze of Russian workers
22 January 2012
CCA

The Songspiels of Chto Delat?

Chto Delat

The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.

Episode 1: A Film is a Statement
Charlemagne Palestine seated at the piano in red light
16 October 2004
The Arches

Charlemagne Palestine

Charlemagne Palestine

An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.

INSTAL 04
Arrington plays a bass clarinet in blue light at INSTAL 06
15 October 2006
The Arches

Arrington de Dionyso

Arrington de Dionyso

Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.

INSTAL 06
A microphone wrapped in white paper on a mic stand on stage
20 May 2005
The Sage Gateshead

MICRO 1

Takehisa Kosugi

MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)

Music Lover’s Field Companion 05
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
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