
FACT
Craig Dworkin
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
We’ll be looking at reframing trauma, how we might understand trauma in the bodymindsoul, taking a look at the physiology of trauma, forms of trauma, and at ways to mitigate and heal trauma.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?