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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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The high domed ceiling of Hamilton Mausoleum seen from below
29 June 2006
Hamilton Mausoleum

Hamilton Mausoleum

Akio Suzuki Chris Corsano John Butcher

Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.

Resonant Spaces
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

Black and white photo of Ailie Ormston. Ailie is playing a white electric guitar with a microphone in front of them.
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
Several 16mm film frames of a stairway covering both image and sound areas
19 February 2006
DCA

Film Programme 4: Space

Guy Sherwin Thomas Köner Various Artists Takehisa Kosugi

A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.

Kill Your Timid Notion 06
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
17 November 2024
Tramway

Trans Breakfast at the End of the World

Mijke van der Drift Nat Raha

An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.

Episode 11: To End the World As We Know It
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
A B and W film still of several people crossing a street in 1960's london
14 April 2007
DCA

Film Programme 2: Humans

Ken Jacobs Various Artists John Smith

Includes: street portraits of kids in 1930’s Dakota, a mysterious foggy pilgrimage, a swarm of time-lapsed consumers, a stereoscopic analysis of mill life, up close and personal in a Lighting Bolt mosh pit.

Kill Your Timid Notion 07
Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
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