Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
Free jazz pianist John Blum with an everywhere-at-once presence in duo with Jackson Krall, incendiary free jazz drummer and sound sculptor
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
In this interactive workshop, Dean Spade, author of Mutual Aid, will share key principles, explore common challenges in mutual aid work, and offer tools for working through them.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.