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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
in a dark room Karen Constance plays a mixer on a yellow table
21 March 2009
The Arches

Free-form hook up

Ruaraidh Sanachan Karen Constance

Polly Shang Kuan Band coven leader and Sick Head’s psychedelic shaman Nackt Insecten make hex ritual to birth a new astral being….. Smack Insecten.

INSTAL 09
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
Arika_Instal08_BryonyMcIntyre_Translation - A Campbell - D Nyoukis - JunkoIMG_3857
16 February 2008
The Arches

Translation

Aileen Campbell Dylan Nyoukis Junko

Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.

INSTAL 08
Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
The panel members at a rectangular table listen to a question
26 May 2013
Tramway

We have something to say about… Pt2

Emma Hedditch Frank Roberts Michael Roberson Pony Zion Robert Sember Terre Thaemlitz Vjuan Allure Vogue’ology

A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.

Episode 5: Hidden in Plain Sight
A table with various cans and jars of food
2 May 2012
Whitney Museum of American Art

Wallingford Food Bank

Christopher DeLaurenti

A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.

A survey is a process of listening
Two people standing by a door, one is wearing a purple cloak
21 October 2016
Tramway

Criminal Queers

Chris Vargas Eric A Stanley

Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.

Episode 8: Refuse Powers’ Grasp
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
A screen showing a cross of light with some green shade in the foreground
18 February 2006
DCA

Hototogisu & Bruce McClure

Bruce McClure Hototogisu

A collaboration bringing together artists with a shared gravitational heft to their work; an intense and concentrated accumulation of detail and power.

Kill Your Timid Notion 06
Ellen fullman's long string instrument : many strings strung across a long room
13 October 2006
The Arches

Ellen Fullman & Sean Meehan

Ellen Fullman Sean Meehan

Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.

INSTAL 06
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

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