Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.
For this day-long festival, sex workers and their allies from New York, the tri-state area, and Europe will gather at MoMA PS1 to debate, perform, dance, strategize & share knowledge.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
A recording session for BBC Radio Scotland under the M74 ‘Ski Jump’ extension ramp, a secion of motorway that doesn’t go anywhere, one of several such structures that populate the motorway system in the centre of Glasgow.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
A Festival supporting the struggle for Sex Workers’ Rights: share knowledge, discuss, dance and strategise!
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?