Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
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African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
A 101 panel on sex work in Scotland, hosted by National Ugly Mugs, Sex Workers Union, Scotland for Decrim (Decrim Now) host
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival
No Wave, damaged garage jams and crazed instant vocal shrieks.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.