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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (704)

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A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Loren and Alan playing electric guitars
16 October 2005
The Arches

Loren Mazzacane Connors & Alan Licht

Alan Licht Loren Mazzacane Connors

An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.

INSTAL 05
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
A long distance shot of a dark theatre stage piled high with cardboard boxes
26 February 2012
Tramway

Inhuman Grand-Guignol Theatre

Taku Unami

Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.

Episode 2: A Special Form of Darkness
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
Arika_Episode2_EugeneThacker_AWoodward-3
26 February 2012
Tramway

Cosmic Pessimism

Eugene Thacker

A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?

Episode 2: A Special Form of Darkness
13 October 2006
The Arches

Infest – Nimrod 33 & Shareholder

Nimrod 33 Shareholder

West Coast drone-age guitar grumbler/ consumer electronic reclaimer meets free-thinking clang/ chime/ drone bluesman of The East.

INSTAL 06
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Jimmy Robert sits at the edge of a lit square on the floor, one leg bent up
26 May 2013
Tramway

Suspended closure, suspended

Jimmy Robert

When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?

Episode 5: Hidden in Plain Sight
Carston Nicolai standing over a mixing desk
1 December 2002
The Arches

alva.noto

alva.noto

Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video

INSTAL 02
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
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