Self Cancellation – Seed Burn / adh
Lee Patterson Rhodri Davies
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
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Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?