Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
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Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.
Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Save the dates for Episode 12.
Wednesday 11 – Sunday 15 November 2026
A performed lecture concerned with Renaissance occult (musical) thinkers of the cosmic who put forward the notion of the “disharmony of the world”