Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.
How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.
Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
A panel exploring how to dismantle the master’s house — its material edifices and ideological architecture — and the construction of abolitionist futures in the present.
Electronic music, time, thought, the word, and consecutive matters
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
