Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.
The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
A performed filmic conversation on queer and black world making.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
