TLRS
Laurence Rassel Terre Thaemlitz
The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.
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The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Jandek’s second ever live performance, and the first to be advertised in advance.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?