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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A metallic form projected on a wall
14 April 2007
DCA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.

Kill Your Timid Notion 07
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
Portrait of John Mullarkey in black and white
22 February 2010
DCA

John Mullarkey

John Mullarkey

John Mullarkey sets in a wider context our understanding of Alain Badiou and Francois Laruelle, two of the most radical philosophers in Europe today.

Kill Your Timid Notion 10
Two speakers on stage surrounded by audience and red cushions
19 November 2017
Tramway

Discourse or Intercourse: Group Action

Maxine Meighan Robert Softley Gale

How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?

Episode 9: Other Worlds Already Exist
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
A group of people each holding a sheet of paper walk around each other
5 May 2012
Whitney Museum of American Art

In Passing

Brandon LaBelle

A silent performance of (musical) reverberation.

A survey is a process of listening
A projector running in a dark room
26 February 2010

Sea Oak

Emily Wardill

A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.

Kill Your Timid Notion 10
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
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