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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Video Interview, Nov 2024

To Give Up This World, To Have Many Others – In Conversation with Ailton Krenak

Ailton Krenak (by video) Denise Ferreira da Silva Amilcar Packer

A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.

Episode 11: To End the World As We Know It
Three men play instruments in various stages of dismantlement
22 March 2009
The Arches

Free-form hook up

Ali Robertson Malcy Duff Seymour Wright

Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.

INSTAL 09
a banner with painted letters saying sex work is work
20 April 2017
Terrence Higgins Trust

Community Discussion: LGBTQI People & Sex Worker’s Rights

Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.

Sex Workers’ Festival of Resistance
Beams of light fanning out from the right in bands of green and white
15 April 2007
DCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Kill Your Timid Notion 07
Current 93 on stage at INSTAL 04
16 October 2004
The Arches

Current 93

Current 93

One of the most revered and legendary underground acts of the past 20+ years, Current 93 is the constantly evolving creation of David Tibet.

INSTAL 04
Pauline Oliveros holding an accordion while reading information from a laptop
16 October 2005
The Arches

Pauline Oliveros & David Dove

David Dove Pauline Oliveros

Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.

INSTAL 05
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
A portrait of Fred Moten wearing sunglasses and a cheeky smile
19 April 2013
Tramway

Fred Moten – Reading

Fred Moten

African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.

Episode 4: Freedom is a Constant Struggle
A B&W shot of M Lamar prostrate and seemingly screaming
27 September 2014
Tramway

Speculum Orum

M Lamar

A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.

Episode 6: Make a Way Out of No Way
Moor Mother performs at Episode 9, back lit with pale golden light
16 November 2017
Tramway

Moor Mother

Moor Mother

Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.

Episode 9: Other Worlds Already Exist
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
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