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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
: Leanne Betasamosake Simpson has long brown hair, wearing a denim shirt with a camouflage jacket on top. Behind them is are tall reed like plants and red tree branches to the foreground.
13 November 2024
Glasgow School of Art

I am not a nation-state

Leanne Betasamosake Simpson Nat Raha

One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.

Episode 11: To End the World As We Know It
Man in Black clothes standing next to two microphones, staring out
12 November 2010
Tramway

Object of Thought

Mattin

A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.

INSTAL 10
Arika_Episode5_Photo_AlexWoodward-31
25 May 2013
Tramway

We have something to say about… Pt1

Ann Cvetkovich Eboni Marshall Turman Frank Roberts Michael Roberson Robert Sember Terre Thaemlitz Vogue’ology

A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.

Episode 5: Hidden in Plain Sight
Kyoaku No Intention on stage at MLFC 05
22 May 2005
The Sage Gateshead

Kyoaku No Intention

Kyoaku No Intention

Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.

Music Lover’s Field Companion 05
Henri Chopin on stage smiling and operating a tape recorder
16 October 2005
The Arches

Henri Chopin

Henri Chopin

Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.

INSTAL 05
Charlemagne Palestine seated at the piano in red light
16 October 2004
The Arches

Charlemagne Palestine

Charlemagne Palestine

An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.

INSTAL 04
Sondra Perry stands on ladder in front of screen with multiple layered images
23 October 2016
Tramway

Lineage for a Multiple-Monitor Work-station

Sondra Perry

A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.

Episode 8: Refuse Powers’ Grasp
9 – 13 March 2022
Online

Mutual Aid

4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.

Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
Brian Dillon portrait against a brick wall
14 April 2007
DCA

Brian Dillon Talk

Brian Dillon

Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.

Kill Your Timid Notion 07
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