Henri Chopin
Henri Chopin
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
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Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
Edinburgh. Sinewave manipulating Giant Tank-ette goes head-to-head with Decaer Pinga’s first lady of noise.