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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
Beams of light fanning out across an audience from different directions
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.

Kill Your Timid Notion on Tour
Music Lover's Field Companion 05 publicity flyer
20 – 22 May 2005
The Sage Gateshead

Music Lover’s Field Companion 05

Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.

Nat Raha speaks into a microphone while she reads
24 November 2019
Tramway

apparitions

Nat Raha

Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.

Episode 10: A Means Without End
John is sitting on the stage, surrounded by people, all touching each other
14 April 2019
Performance Space New York

John Lee Clark

John Lee Clark

An invitation into languages field of touch; to speak in feeling together.

I wanna be with you everywhere
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Ali Robertson Hunches over a table with lots of small metal objects on it
21 March 2009
The Arches

Free-form hook up

Ali Robertson Euan Currie Fritz Welch

Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.

INSTAL 09
A large industrial fan is backlit
21 April 2013
Tramway

Unfree Improvisation / Compulsive Freedom

Mattin Ray Brassier

How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?

Episode 4: Freedom is a Constant Struggle
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
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