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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Wormit reservoir: a concrete columns and pools of water in a large sunless room
27 June 2006
Wormit Reservoir

Wormit Reservoir

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.

Resonant Spaces
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Kiyoharu Kuwayama & Rina Kijima with friend at INSTAL 06
15 October 2006
The Arches

Kuwayama & Kijima

Kiyoharu Kuwayama Rina Kijima

Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.

INSTAL 06
Arika_Episode2_RayBrassier_ThomasMetzinger_TheViewFromNowherePart1_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 1

Ray Brassier Thomas Metzinger

Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.

Episode 2: A Special Form of Darkness
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
Denise Fererria Da Silva holds both hands in the air as she talks to the group
28 September 2014
Tramway

Realness

Charlene Sinclair Fred Moten Icon Ayana Christian Michael Roberson Tourmaline

A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.

Episode 6: Make a Way Out of No Way
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
A view down a long underground corridor with lockers and a few seated figures
24 February 2010
DCA

Lunch Break

Sharon Lockhart

A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.

Kill Your Timid Notion 10
Phil Minton conducts a large choir at DCA
9 October 2008
DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
A portrait of Fred Moten wearing sunglasses and a cheeky smile
19 April 2013
Tramway

Fred Moten – Reading

Fred Moten

African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.

Episode 4: Freedom is a Constant Struggle
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