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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A street in Egypt, during the day time, filled with people going about
22 January 2012
CCA

Too Soon, Too Late

Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.

Episode 1: A Film is a Statement
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
AMM in a hallway or a hotel foyer leather jackets and smiles
23 November 2003
The Arches

AMM

Eddie Prevost John Tilbury Keith Rowe

AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.

INSTAL 03
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Kjell Björgeengen, Keith Rowe & Philipp Wachsmann with equipment and screens
29 November – 7 December 2008
ICA Spike Island CCA

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann

Keith Rowe Kjell Björgeengen Philipp Wachsmann

An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours

Kill Your Timid Notion on Tour
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
Carsten Nicolai operating some equipment near a projection
17 October 2003
DCA

Alva.Noto

Carsten Nicolai alva.noto

60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves

Kill Your Timid Notion 03
Jandek, Chris Corsano and Matt Heyner performing at Issue Project Room 05
7 September 2005
Issue Project Room

Issue Project Room, New York 05

Alan Licht Chris Corsano Jandek Loren Mazzacane Connors Matt Heyner

Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.

Oshiri Penpenz singer lit from above at INSTAL 06
13 October 2006
The Arches

Oshiri Penpenz

Oshiri Penpenz

No Wave, damaged garage jams and crazed instant vocal shrieks.

INSTAL 06
Video Interview, Nov 2024

To Give Up This World, To Have Many Others – In Conversation with Ailton Krenak

Ailton Krenak (by video) Denise Ferreira da Silva Amilcar Packer

A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.

Episode 11: To End the World As We Know It
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

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