
Hit Parade
Christof Migone
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
Over 3 days Episode 8 celebrates all the unruly ways we escape attempts to constrain us, tear down the walls of normative culture and build joy in flight.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.