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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
A flyer that says NYC Rumble Ball 66 The Road to Master. In black and red.
20 April 2014
Club Escuelitas

The Road to Mastery Rumble Ball

Various Artists

This mini, late-night ball will include categories inspired by the events earlier in the weekend.

Master Ballstar Weekend
Peach and pink gradient with black text: Revolution is not a one-time event
3 – 24 August 2020
Online

Revolution is not a one-time event

Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.

Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
larika_ep6_img_5530_crop
27 September 2014
Tramway

Touching the Imperceptible

Arthur Jafa Kara Keeling

A performed filmic conversation on queer and black world making.

Episode 6: Make a Way Out of No Way
Junko, Ikuro Takahashi & JO JO Hiroshige performing at MLFC 07
13 May 2007
The Sage Gateshead

Junko, Ikuro Takahashi & JO JO Hiroshige

Ikuro Takahashi JO JO Hiroshige Junko

Three iconic figures from the Japanese underground assembled as a trio to stand in for the advertised duo of Junko and Jerome Noetinger who was unable to attend the festival due to illness.

Music Lover’s Field Companion 07
13 May 2007
The Sage Gateshead

Total Music Meeting

David Keenan

Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.

Music Lover’s Field Companion 07
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
A woman looks towards the camera from the a low angle, there are trees behind
19 April 2015
Tramway

Standing in the Flesh

Hortense J. Spillers

In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?

Episode 7: We Can’t Live Without Our Lives
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