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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
John is sitting on the stage, surrounded by people, all touching each other
14 April 2019
Performance Space New York

John Lee Clark

John Lee Clark

An invitation into languages field of touch; to speak in feeling together.

I wanna be with you everywhere
A film still shows an interior view along a hospital corridor
14 April 2019
Performance Space New York

After…After…(Access)

Jordan Lord

A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.

I wanna be with you everywhere
Portrait of Geni Núñez smiling wearing a red robe with a red orange wall behind.
14 November 2024
Tramway Live Stream

Against a monoculture of thought

Geni Núñez Amilcar Packer

Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.

Episode 11: To End the World As We Know It
Hannah Proctor stands on stage in front of a lectern delivering their performed reading. Behind Hannah is a project image of a crowd in a smoke filled city street, giving the impression of a conflict or war environment.
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
A black pen line drawing of all the members of the Carni Collective
26 March 2022
CCA Annex (Online)

Part One | Parte I

CARNI – Coletivo de Arte Negra e Indígena Periferia Segue Sangrando Denise Ferreira da Silva Ana Lira

A Breath to Follow | Um sopro a se seguir
Arika_ASIAPOL_Whitney2012_CraigDworkin_VanessaPlace_Photo_BMcIntyre-3
2 May 2012
Whitney Museum of American Art

A Handbook of Protocols for Literary Listening

Craig Dworkin Vanessa Place

Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.

A survey is a process of listening
A B&W image of two people silhouetted as they sit at a table
18 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

Keiji Haino talking to Alan Cummings
21 May 2005
The Sage Gateshead

The Secret of Music – discussion

Alan Cummings Keiji Haino

Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.

Music Lover’s Field Companion 05
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

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