Cartography of Exhaustion
Peter Pál Pelbart
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.