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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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17 November 2024
Tramway

Trans Breakfast at the End of the World

Mijke van der Drift Nat Raha

An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.

Episode 11: To End the World As We Know It
Snapchat of street at night lit with white polythene covered boards
16 November 2017
Many Studios

Anal Panopticon

Huw Lemmey

Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.

Episode 9: Other Worlds Already Exist
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Seated people chat near microphones
26 February 2010

SpeedDataRadio

Resonance Radio Orchestra

A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.

Kill Your Timid Notion 10
A member of Ueinzz wears a blue head wrap and looks out to sea
21 November 2019
Tramway

Mobedique Hors Acvé

Ueinzz

A community of those without community, for a community to come. A schizo-scenic video-collage of the disturbing ‘normality’ of Moby Dick.

Episode 10: A Means Without End
theeyeandtheear
15 April 2007
DCA

Film Programme 6: Contrast

Various Artists Guy Sherwin

Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.

Kill Your Timid Notion 07
the_flicker
18 February 2006
DCA

Tony Conrad: The Flicker

Tony Conrad

One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.

Kill Your Timid Notion 06
13 October 2005
The Universal

Stalled at Universal – Wounded Knee

Wounded Knee

Edinburgh. Cask-strength electrohypnol and shroom damaged folk croonings by Lapsed Electronics empire builder.

INSTAL 05
Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
two white whales made of paper perch on a low coffee table
21 November 2019
Tramway

In the Sign of Jonah: Around Moby-Dick

Laura Harris Fernando Zalamea

“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James

Episode 10: A Means Without End
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