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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Image says:Don't ask to fight their wars, don't tell them that's what we're for.
23 October 2016
Tramway

Against Inclusion

Dean Spade Eric A Stanley Mujeres Creando

What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?

Episode 8: Refuse Powers’ Grasp
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
an overflowing bowl of water in a sink displays beautiful interference waves
11 October 2008
DCA

Film Programme: Events

Benedict Drew Takehisa Kosugi Various Artists

Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.

Kill Your Timid Notion 08
A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
A microphone hanging from a cable
26 February 2010
DCA

Mattin

Mattin

Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.

Kill Your Timid Notion 10
Two people with headphones listen to items in an installation at a large table
14 November 2010
Tramway

Temporary Outpost for an Auditory Gesture

Brandon LaBelle

Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.

INSTAL 10
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Several 16mm film frames of a stairway covering both image and sound areas
19 February 2006
DCA

Film Programme 4: Space

Guy Sherwin Thomas Köner Various Artists Takehisa Kosugi

A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.

Kill Your Timid Notion 06
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