What is the Sound of Freedom?
Ultra-red
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
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For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.