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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (720)

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Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
Kai Faguchinski and Klaus Filip performing at MLFC on clarinet and laptop
12 May 2007
The Sage Gateshead

Los Glissandinos

Kai Fagaschinski Klaus Filip

Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.

Music Lover’s Field Companion 07
Image with the words: Philip Jeck
9 December 2001
The Arches

Philip Jeck

Philip Jeck

Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.

INSTAL 01
Nikos Veliotis in safety goggles chips wood, cello and a projection in the back
21 March 2009
The Arches

Cello Powder

Nikos Veliotis

Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.

INSTAL 09
Arika_Instal08_BryonyMcIntyre_TM - Incapacitants 467
15 February 2008
Stereo

Incapacitants

Incapacitants Junko Kazuo Imai

Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.

INSTAL 08
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Glittery croissants nestled together.
23 August 2026, 11:00

Coffee, Croissants and Massage

Five Rivers Massage

Coffee, Croissants & Massage – a welcoming breakfast for all with massage by qualified massage therapists present to give hand & head massages.

 

 

Hard Labour
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
Three women pose in front of a home made banner "Get the Body of a God"
28 September 2014
Tramway

Dance Workshop

Glasgow Open Dance School Miss Prissy

A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!

Episode 6: Make a Way Out of No Way
A woman rides a motorcycle against a sunset lit sky
21 January 2012
CCA

Nina Power discussing November

Hito Steyerl Nina Power

Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).

Episode 1: A Film is a Statement
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

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