Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Imagine entering a library where readers can borrow human beings serving as open books. Then select a book stack that specialises in sex work.
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?
Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
