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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_Whitney_ASIAPOL_BrandonLaBelle-16
2 May 2012
Whitney Museum of American Art

Temporary outpost for an auditory figure

Brandon LaBelle

A temporary archive and research space tracing the ways in which sound and audition move through everyday life.

A survey is a process of listening
Tony conrad bowing a violin in the foreground, Keiji Haino singing behind
14 October 2006
The Arches

Keiji Haino & Tony Conrad

Keiji Haino Tony Conrad

Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.

INSTAL 06
A 40ish mixed race Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair, lying on a couch looking at the viewer horizontally. They have rose gold aviator frames, thick eyebrows, red lipstick and sand colored skin, and are looking at the viewer with a kind of tired but hopefully crip wonder. They wear a blue denim vest with a pin that says Neurodivergent Universe above a pink and blue image of a ringed planet, and a black tank top with yellow lettering that read Talk To Plants, Not Cops is barely visible. They have a tattoo of the words "We begin by listening" in magenta cursive script on their left arm.
21 June 2023

Altar: Odes to the Lost/ never lost with ASL Centered Hang

Leah Lakshmi Piepzna-Samarasinha

Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.

 

I wanna be with you everywhere 2023
Instal 10 poster with subtitle 'Braver New Musics'
12 – 14 November 2010
Tramway

INSTAL 10

The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.

Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Jerron stands head tilted to one side, he is wearing a silver shimmery jumpsuit
13 April 2019
Performance Space New York

Relative

Jerron Herman

A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.

I wanna be with you everywhere
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
13 April 2007
DCA

KYTN Salon: Post Consideration

Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine

Post consideration and post rationalisation… How do we think about experimental music and film after the performance?

Kill Your Timid Notion 07
Moor Mother performs at Episode 9, back lit with pale golden light
16 November 2017
Tramway

Moor Mother

Moor Mother

Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.

Episode 9: Other Worlds Already Exist
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
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