Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
In Passing
Brandon LaBelle
A silent performance of (musical) reverberation.
Emma Hart & Benedict Drew
Benedict Drew Emma Hart
An original and beautifully simple performed installation forging a direct link between sound and image.
Tetsuo Kogawa
Tetsuo Kogawa
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
Based on a True Story – 1986
Rashad Becker
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
FACT
Craig Dworkin
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Live Immersive Performance
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Trans Breakfast at the End of the World
Mijke van der Drift Nat Raha
An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.
Radio Party
Tetsuo Kogawa
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
INSTAL 01
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
Fugitivity and Waywardness
Fred Moten Saidiya Hartman
An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.
Discourse or Intercourse: Group Action
Maxine Meighan Robert Softley Gale
How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?