Eclipse of the Moon from the Backyard
Koji Asano Paragon Ensemble
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
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Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
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A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”
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A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?